Rustin Levenson
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Everything posted by Rustin Levenson
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1. Story Statement:
Four Miami strangers with various injuries intersect with a palm reader in a hand surgeon’s
office. Afterwards, through curiosity and circumstance, each makes a visit to have their fortunes
read. The alterations to their hands from operations and damage lead to startling forecasts.
Questions about fate arise as life-changing events follow the palm reader’s predictions. The
characters entwine and disconnect as they navigate their destinies in colorful, contemporary
South Florida.
2. Antagonist: the damage to their palms that has changed the character’s fate.
On a Monday morning in October, Di Mason shares a crowded hand surgeon’s waiting room
with her boyfriend and three strangers. Afterwards with varied reluctance and enthusiasm, all
turn to her for palm readings.
Katherine Bradford, a Miami socialite and advice columnist learns that the scar from recent hand
surgery indicates that she will encounter the loss of “fortune and reputation.”
Jesús Santos, shy, staid father and manager for Caro, “The Latina Songbird,” receives news that
his surgical cut may lead to rebounding health, a career change, and romance.
Brother Egret, a conman and Deity to the Angels of the Everglades, has pierced both his palms
during a magic trick gone wrong. One of his Angels notes that the damages are like Christ’s
stigmata and may indicate sainthood. Rushing to Di for confirmation he is told that his ring
finger reveals evidence of spirituality but that the ruined state of both palms suggests that
something shocking will arise from his past.
Vic Hernandez, an artist and Di’s partner, is navigating the recent death of his identical twin
brother. Breaking a plate in anger leads to a slice in his hand that she identifies as a new, deep
creative line.
Di’s predictions propel the unfolding fates of the characters.
3. Title:
Palms
Life, Head, Heart, and Fate
(Both accompanied by an image of a hand with labeled lines and palm trees buffeted by a storm)
Comparable Novels: Upmarket fiction, women’s fiction
The Bridge of San Luis Rey, Thornton Wilder (1928). The characters in this novel; Katherine,
Jesus, Brother Egret, and Vic are inspired by the priest and doomed Peruvians in Wilder’s book
about strangers and fate.The Skink Series, Carl Hiaasen (1987-2023) These books evoke a similar, anything-can-happen,
South Florida absurdity.
The Goon Squad, The Candy House, Jennifer Egan (2011, 2022). In this series, self-contained,
episodic chapters featuring distinctive characters form a cohesive narrative.
Hookline
A palm reader coincides with four strangers in a hand surgeon’s waiting room. Subsequent
readings lead to astonishing forecasts and questions about fate.
Protagonists’conflict
Conflict ratchets up as the Di’s predictions for the book’s characters slowly come to pass.
After her visit to Di, Katherine panics over the prospect of the loss of her comfortable life.
Chapter by chapter, inklings of financial troubles and suspicions about her husband multiply.
The revelation that “difficulties” at her husband’s law firm that include bribery, bankruptcy, and
even murder force her to call on her inner strength to reach the “different but okay” life that Di
forecasts in a second reading.
The surprising art that Vic creates using his undamaged left hand, catapults him to success, but
along with fame comes new turmoil. Is the art erupting from his mirror twin? Is the story of his
dead brother part of his success? Will money change his relationship with Di?
After his palm reading, Jesús determines to resist the career change and romance that is foretold
with all his might. But as Di’s first prediction of rebounding health comes true, he opens to
additional changes in his life.
In the palm reading room, Brother Egret focuses on spiritual revelations rather than “something
alarming erupting from his past” that Di prophesizes. Subsequently, his efforts to lead his Angels
to God are challenged when his parents, rather than being dead, appear at his Gathering as
fugitives from Everglades prison.
Protagonists’ secondary conflict
Katherine’s conflict with her husband Robert escalates as his silence about his troubles
continues. The loss of “fortune and reputation” lead her to recognize what offers true value in her
life.
Vic’s acceptance of the sudden death of his twin and his deepened commitment to Di are
secondary forces in his story.
Jesús’s fate includes a reclaimed relationship with his daughter Caro, acceptance of her
relationship with Provi, a Haitian rapper, and a burgeoning romance with her beau’s aunt.After Egret’s early cynicism about religion, the discovery of a cache of bibles, hymnals, and
Snappy Sermon Starters inspires an effort to lead his Angels to God. His deepening relationship
with his self-proclaimed valet, Uni, adds unanticipated romance.
Aside from their first encounter in the hand surgeon’s waiting room and sequential visits to Di,
there are surprising interactions between the strangers. Katherine crosses paths with Vic and Di
at a museum opening. Jesús’ writes to Katherine’s Miami Herald advice column in hopes of
resolving his conflict with his daughter, Caro. Caro’s music is a source of inspiration for Vic as
he paints. Caro and her beau, Provi, visit Brother Egret in search of a cure for her lost voice.
Egret, Jesús, Caro, and Provi assemble for Thanksgiving together at Provi’s family home.
Provi’s aunt and Jesús form a romantic relationship. Another of his aunts helps Katherine
dispose of her family’s possessions.
7 Setting
Contemporary Miami is the setting for the novel.
Vic and Di live and work in a commercial space in the Bird Road Art District.
“Last spring they’d had to give up their apartment in the cinderblock building in Allapattah.
They’d hung on there as long as they could but finally, like most of the other places in Miami-
Dade County, the rent had gone through the roof. The leaky roof. They’d left their collection of
buckets behind and moved into a six-hundred-fifty square foot studio in the Bird Road Art
District near an artist friend.
Vic had built a wall to create a narrow front area for Di’s palm reading. In the back he’d claimed
some territory for painting and then squeezed the necessities of living into the remaining space.
He’d rigged up a shower in the bathroom and they’d bought a microwave oven and a small
fridge from Goodwill. The kitchen table from their old apartment doubled as a worktable and as
a spot for meal preparation. They slept on a double bed behind a diagonal curtain in the back
corner with their clothes stowed below in green plastic bins.
When Di wasn’t seeing clients, a chaise lounge on one side of her palm reading area served as
their living room. On the other side, her round, metal table was where they ate meals. The front
area was cramped, but not so bad on days when the large, display windows let in the sun. Behind
the wall, the studio/kitchen/sleeping area was cave-like. The only light came through a window
on the far wall that was half-blocked by a sputtering air-conditioner. Vic left the door between
the spaces open, even when she was reading palms. It gave him light during the day, and on hot
days it provided her with whatever cooling the aging air conditioner could offer. Not perfect, but
it sufficed.
Of course, it was a commercial space, not a residential one, so they weren’t exactly legal. But so
far, no one had complained, even though his ramshackle Toyota was parked out front, twenty-
four/seven.”Brother Egret meets his flock in the Everglades
“Brother Egret. Ha. Risen from the Everglades. Yeah. It had been a fluke. Last year, ahead of the
Florida Python Challenge, he had secreted a cache of snakes that he’d bagged-up in a cypress
dome where he’d camped as a teenager. After the obligatory training, signing up, showing up,
and looking innocent, he’d gotten back to the place where he’d hidden the pythons he’d caught
earlier. He’d hung around, smoking dope, cursing the oppressive August heat and humidity, and
waiting the appropriate amount of time to have nabbed them for real. Then on the way out of the
swamp, he’d tripped over another python. Literally tripped, capturing the snake with both hands
and falling face first into raspy sawgrass. He’d been out of bags, so dripping with slime, he’d
draped his latest find around his neck and kept going.
Then he’d lost his way a bit, trying to get back to the road, to where the Florida Fish and Wildlife
wardens would assess his catch. Stomping through a dank patch of bioluminescence he’d come
across a camp of stoned neo-hippies who saw him “walking on water” with a snake draped
around his neck. Well, he’d fit the description of the Deity of their dreams. Even he could see
that there was more money in being a Deity than in the remote possibility of winning the ten-
thousand-dollar Python Challenge Prize. So, he’d ditched the snakes and become Brother Egret.”
Jesus and Caro occupy a mansion on exclusive Star Island
“Star Island. Rattling around here alone was unbearable. Jesús was okay with being alone with
his thoughts and numbers and newspapers, but something about Star Island was too alone. It was
not like living solo in a busy condo building or a small, cheerful neighborhood. Here everyone
was sequestered in their immense mansions. He couldn’t imagine borrowing a cup of sugar or an
egg from a neighbor, rattling their elaborate metal gate to get their attention. “It’s Jeesuuss, your
neighbor,” he would have to shout into an intercom.”
A sense of Katherine’s comfortable life is revealed as she begins deconstructing her Pinecrest
home.
“After Cherline’s departure, Katherine wandered back through the living room surveying their
possessions. The sofas that they had chosen together, the massive William Morris rug they’d
snagged at an estate auction, knickknacks from their travels. Twenty years of accumulation.
Belongings that represented the life they had built.
What did she really need from all this? Yes, the cash, of course. But it was the memories that she
treasured; bouncing on couches in six different furniture stores, hugging with excitement after
their bid won the rug, or packing the Venetian glass in their suitcases, using her bras for padding.
Hurricane Andrew had roared through Miami when she was in her early twenties. Katherine had
been up north at the time and her mother had been safe, but Katherine remembered being glued
to the television news that showed image after image of her devastated community. She couldstill picture the victims, standing by leafless, snapped trees and shards of roof tiles, bemoaning
not the loss of their couches and rugs, but the loss of memories, of photographs.
Photographs. There was so many, in albums and silver frames. How could she take them all?
She had an inspiration. She pulled out her phone and started recording, storing her memories of
the home where she and Robert had raised their children. She photographed room after room.
Rooms where they’d loved, argued, entertained friends. The kitchen where so many meals had
been planned and recipes tested. Where Robert had taught Brian and Claudia the essential skill of
scrambling an egg. “Now, you are prepared for life!” he’d declared, balancing them on tall stools
as they stirred.
Ha! She couldn’t take her home with her, but she had her trusty phone. Back in the library, she
removed Claudia and Brian’s baby books and started photographing them page by page. Why
had she stopped recording their lives in books when they were toddlers? Even more important
things had happened. Why did people focus on baby books? It wasn’t as if you could buy a
memory book entitled “My Child’s Elementary Years” or “My Son’s Junior Year in High
School.” Were the rest of their lives unmemorable?
Next, she took images of the scattered framed photos around the house: Claudia in tiny ballet
slippers, Brian with a gap-toothed smile. Claudia on a horse, her hair flying out from under the
helmet. The kids’ graduations, the camera capturing their broad grins and flipped tassels.
In Robert’s workroom next to the garage, she captured a photo of his workbench. He’d always
loved tinkering, building, doing small repairs around the house. It was where he and Brian had
created the treehouse that still rested in the live oak tree in the backyard. Upon its completion,
the whole family had perched there, celebrating with apple juice.”
