New York Write to Pitch "First Pages"
A forum for New York pitch event alums to post samples of their scenes and prose narrative for detailed critique according to Algonkian Author Connect guidelines. Emphasis on choice of set, narrative cinema, quality of dialogue, metaphor, static and dynamic imagery, interior monologue, general clarity, tone, suspense devices, and routine line editing issues as well.
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(First chapter, after prologue): Establishes the inciting incident (murder), character's internal conflict (she struggles with identity, guilt, shame, returning to work as a CPS caseworker after maternity leave) and external conflicts (only she knows something is fishy about her client's situation, she wants to help, but might not be able to because her memory is sketchy and she is unreliable; her baby is colicky and underweight and she isn't home to feed her; now she must help the victim's children in foster care), establishes setting (fall in Youngstown, Ohio), and core wound (she had to learn about being a young girl from the neighbor, not her mother). The…
Last reply by Jody Gerbig, -
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Last reply by Uma Lerner, -
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OPENING SCENE - Introduces the antagonist, protagonist, the protag’s new love interest, the contemporary setting, tone, and the primary conflict. Another anniversary. Eight years. On any other Saturday, Emily would pull her boots on and gather kindling. She’d snap a hundred branches, then come inside and light a match under all the wood. With the kitchen radio on, she’d bake something, scones or a coffee cake, all while Neil slept. But today, they were already up. No fire to start. No bread to bake. Keeping with tradition, they left their phones on the kitchen counter. They rode Neil’s red Harley, a model from the 80s that he kept in prist…
Last reply by Lisa771, -
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Here are the first few pages of my new novel, #GODDOESNTWANTYOUTOBEPOOR: Chapter 1 The sun rose on Lawson, Maine ushering in another sweltering July day, the fourth in a row and twelfth out of the last fourteen. Townsfolk sought relief as best they could. Backyards were dotted by plastic pools, and styrofoam coolers of thin beer. Kids dipped themselves in the quarry, floating in oversized black inner tubes until they felt hot enough to pop. Box fans occupied windows in the houses too poor for air conditioning, and shoppers lingered longer than necessary in the meat section of the Hannaford Super Market. For Jordie Furman, the heat meant people stopped buy…
Last reply by Jesse_McKinnell, -
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Opening Chapter - En media res; Introduces the protagonist and antagonist; Inciting incident; There's also an idiot named Troy - everything you asked for. Thanks for reading! Bethesda Terrace, Central Park, NYC July, 2012 “He’s not dead. I know that much.” “Well, what do you think is wrong with him then, since apparently you’re a doctor now?” “I never said I was a doctor, Ralph. I said he wasn’t dead.” “Hey! What’s going over here? That guy dead? They found a dead guy over by Strawberry Fields last week. A jogger found him. I don’t know why they jog. Such a boring way to get around and the joggers are always the first to find the bodie…
Last reply by Matt Evans, -
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Opening Scene - Introduces the protagonist and setting, establishes core wounds Sooner or Later You can run on for a long time, Run on, duckin’ and dodgin’, Run on for a long time, Sooner or later God Almighty’s gonna cut you down. — Traditional American Gospel Mrs. Evelyn Doherty had a standing appointment with Madame Theresa every Wednesday at one-thirty PM. She was a faithful client and never missed a scheduled reading, unless she was on vacation or unwell, which rarely happened. “Are you ready, Evelyn?” Madame Theresa asked in a tentative, encouraging voice, one finger resting patiently on…
Last reply by Matthew Schwab, -
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Hello! Thanks for reading the first scene of The Cleveland Phoenix, a science fiction/adventure manuscript. The chapter below introduces the protagonist, the antagonist, and the primary conflict of the novel, as well as the setting and tone. Chapter 1: Dortollen Licorice Star Year 2722 – Shaula System – Fifteen Years Ago Cassander of Arkan didn’t believe the Vikaanians. The human’s face bunched to one side, skeptical. Watching the time, he raised an eyebrow behind his portable oxygen generator–a black fabric mask cradling a translator insert and a long, clear tube running to a palm-sized box in the pocket of his jacket. The box clicked every few seconds…
Last reply by Erica Vanstone, -
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PROLOGUE This evening, my husband Rich handed me my glass of white wine and stated, “I want monogamy.” I smirked at him as he sat down on his side of the couch, but as I brought the glass to my lips, I looked at him and didn’t see the expression I expected. “Wait, are you serious?” I asked. “I am.” He looked at me, not looking away or down at his beer. He maintained that calm look of determination, not aggressive, just opening up the conversation. I stared at him over the rim of my wine glass, now frozen on my lips. Just like countless evenings before, we had just sat down on the couch to talk. Our daughter had come down the stairs a few minutes ago asking for…
Last reply by openlycommitted, -
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Preface The truth of a journey is that the vast and mysterious lands, the terra incognita, you set out to explore, in the end, becomes yourself. Every grain of grief and longing, love, regret, triumph, slips quietly into your suitcase. Harper had learned that at nineteen, a scattered girl full of woebegone and madness who made a pilgrimage to Paris to forget. But there is no escaping yourself. No drug, no distraction, works indefinitely. More than twenty years later, she was in yet another foreign country, and whether she’d gotten there by running toward or away, is debatable. Georgia was supposed to salvage her career and cure her loneliness…
Last reply by Misty, -
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Prey Matt Varga OPENING SCENE – Establish setting and tone, build intrigue, set up the inciting incident, establish the protagonist’s voice, hook, and competencies (sympathies) CHAPTER ONE My car purred as it drove itself forward, creeping toward the chanting ranks of people and their placards. A drowsy cop motioned my car through the barricade as other officers stood at alert and kept the crowd parted. The picketers screamed the usual insults at me as my car inched through them: murderer, bitch, slut, and worse. With the privacy shields up, they couldn’t see me. I guess they assumed I was a woman because I drove a tiny coup, a sexist but correct infer…
Last reply by Doc Varga, -
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Here are my first pages. This introduces the Antagonist (Mahan), the Protagonist (Kalista) through the eyes of a main character (Raine). The story is told from the POV of three characters, mainly Kalista, but opening with a scene from Raine's POV appropriately introduces the antagonist and helps us realize some vital things about Raine as we go on. The second chapter, from Kalista's POV, could be the first chapter arguably, and has more dialogue and the main setting of Harbor's End. This really seemed to be the best place to start the story, but I'm including the second chapter after this one to show how I wrote from each POV, and to get more with the protagonist. I hope…
Last reply by MollyCroweSmith, -
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OPENING SCENE: Introduces Ezra Porter (the protagonist) just after his senator father (the antagonist) made his first move against his son. A disturbance comes in the form of discovering his father’s motives from a reporter who wants Ezra’s help in taking down the senator. When Ezra realizes he can secure the proof for the accusations against his father himself, he decides to beat the New Yorker to print and use this story to cut the strings of his father’s control. Setting, tone, obstacles, and stakes for all parties involved are revealed in this scene taken from the first chapter. I’m distracted again. Not by thoughts of my father, but the movem…
Last reply by O.E. Soderberg, -
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OPENING SCENE - Introduces the setting, tone, first protagonist of the manuscript’s parallel storylines, and sets up the inciting incident. CHAPTER 1 RO THEN And it was there, stuck behind an elderly driver inching towards the intersection of Third and Lake – my hand leaning on the car horn, patience depleted, the windshield projecting an aggressive LATE reminder – that life as I knew it ended. I had been trailing this woman for several single-laned blocks, and for someone in a new model, autonomous car she was moving impossibly slowly. Either she refused to engage the self-drive mode or was too proud to admit she didn’t know how to. That tended t…
Last reply by CrystalJohnson, -
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Prologue Tijuana Mexico, 1951 Our Lady of Guadalupe Cathedral’s tower bell tolled once, twice. On a wooden park bench across the street, Sarapio Viscara’s heart skipped at the sound of each toll. He raised his eyes to the vibrant mural of the Virgin Mary standing with her hands folded in prayer above the faded red-brick cathedral’s front entrance, then stared down at the scars on his fingers suffered while he slaved in the Texas cotton fields. He clasped his hands. “Por favor, Virgencita, bring Carlota to me,” he whispered. His fate—his life—depended on the divine power of Mexico’s patron saint and the message he had left for Carlota the night before. …
Last reply by Lourdes Holtzhauer, -
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Prologue 13 Years Ago 7:08 PM Liz Liz hated sunsets. And the late September sky was already awash in bruised hues, outlining rows of gnarled apple trees against the slash of dark horizon. She knew most people enjoyed the colorful blurring of day into night, but those same people had clearly never hunted—or been hunted—by dragons before. They were deadliest at dusk, when mottled dragon scales became nearly invisible in the riot of color. Somehow, creatures with wingspans larger than most commercial aircrafts were rendered almost undetectable. Liz was hot beneath her fatigues; sweat pooling at the base of her spine as she lay flat, prop…
Last reply by alloradannon, -
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These first pages are preceded by an introduction which establishes the setting with relevant history. Job one is to orient the reader, as well as well as introduce the protagonist, antagonist, immediate problem, etc. A fumbo has a surface meaning and a hidden one, and it can be used to either avoid or create conflict. It is a puzzle, a metaphor, and the makeshift of an outspoken people during those accidental moments when discretion is suddenly required. It can be a riddle, an insult in disguise, an indirect accusation, and even something someone says without thinking. When should something so frequently silly as a fumbo be taken seriou…
Last reply by JeffK, -
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Chapter 1 NOW- July 28th Fog blankets my mind hiding my memory in its mist. Floating spots and light trails cloud my vision, and I’m groggy like I’m waking up from general anesthesia. Did I have surgery? It can’t be— they don’t strap you down. Four-point restraints choke my ankles and wrists, cementing me into a corpse pose. My temples tighten into a vice-like grip, threatening to crush my skull, and the only sound is blood smashing between my ears. My eyelids grow heavy, and the light recedes to dark. I drift in and out of consciousness. A mix of bleach and antiseptic sting my nostrils pulling me awake like they’re smelling salts, and the frigid a…
Last reply by Laurie V, -
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Three samples are posted below: Chapter 1 introduces Tom Preston, the protagonist, and foreshadows the primary conflict. Chapter 17 shares inner dialogue of Ray Whelan, the antagonist. An excerpt from Chapter 26 includes dialogue between Ray and David, a young man Ray hired to replace Quentin (the dealer he murdered). Chapter 1 Digging a grave was a hell of a lot harder than Tom expected. After nearly an hour of spading through hard earth and snarls of thick, knotted roots, the hole looked barely two feet deep. He climbed out to assess his work, his hands blistered and bleeding, then tossed the shovel back into the grave and hurried to his car …
Last reply by Rich M., -
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First chapter below. This chapter serves to introduce the protagonist, give a little bit of background about her, and set the tone for her attitude. It also introduces the concept of magic, grounds the reader in the first of three main settings for the work, and sets the main conflict in motion. I'm also attaching this via PDF in case that's easier to read, because the formatting on this forum is a little wonky whenever I try to copy and paste my work into it, and I cannot get it to single-space for the life of me. Apologies in advance for my technological inadequacy 1. When Bryn woke in the morning, she was already late. Did it even count as morning if you’d …
Last reply by Abby Cummins, -
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The first chapter is below, which introduces the protagonist and her world on a very bad day. Up to Here Marza had had it up to fucking here. Here not being just the chin or forehead, the traditional places one has it fucking up to, but all the way up through the fucking roof. She’d had it with her job. She’d had it with her boss. She’d had it with her horrifying ex-husband and their bratty kid. She’d had it with the cat she adopted that was forever shitting in her shoes. She’d had it with having to explain to people that her name was not Martha or Marcia Penn, but Marza Penn after the dumb-fuck almond confection that her dumb-fuck parents thought was “just oh so…
Last reply by katherinemf, -
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My best friend is going to die. And it’s my fault. That was the accusation screaming inside my head—like the chorus of a heavy metal song—when the doctor came striding in, asking about tacos. “Chicken or beef?” the nurse added. She was wearing magenta scrubs bright enough to blind someone. Maybe both their vision had been compromised. Could they not see the body right in front of us? “It’s this little game Doctor Mullion likes to play, asking what she should order for lunch,” the nurse explained. “My personal vote is pork.” Little game? My best friend is go…
Last reply by alilane2007, -
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Chapter One He had taken great pains to prepare for his new role. After all, a medical residency at the famed Johns Hopkins Hospital was something sought by many but found by few. He was one of the lucky ones and wanted to look good. A crisp blue button-down shirt and striped tie were nicely framed by his short white coat. A new I.D card hung from his breast pocket, showcasing his thick light brown hair and warm smile. With his black doctor’s bag in hand, he was ready to go. After straightening his jacket and taking a deep breath, he briskly walked down the hall to the emergency room. As he approached, the electronic double doors quickly swung open to greet h…
Last reply by JEG, -
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Forge of Angels By Kat Blackwood Prologue Shikari woke gasping, choking on smoke, surrounded by half-burned scrolls and books, broken goddess statues -- and the bloodied bodies of mail-clad soldiers and yellow-robed monks. Flames licked blackened beams and fallen timbers. Agony shot through Shikari’s body with each breath. He put a hand to his chest, and it came away red – a gaping wound revealed a splintered rib and pulsing blood that spilled down his torso like a dark red waterfall. If only he could die here and now and be done with it. But as he watched, the bone knit back together, the bleeding ceased, and the flesh healed until there…
Last reply by Kat Hankinson, -
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CHAPTER TWO - Introduces protagonist, antagonist, setting, tone, inciting incident, and primary conflict. CHAPTER TWO _______________________________________ Mallory They say life can change in the blink of an eye. Mine changed in the carpool lane. After I pulled myself out of bed, after the blur of packed lunches, signed permission slips, and kisses, I received an unexpected email while dropping the girls off at school. One I wouldn’t notice or read for another thirty-four minutes. Those thirty-four minutes on that fateful Friday were filled with blissful ignorance of how the life I had built for myself would start crumbling ar…
Last reply by J.K. Clark, -
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Books start with a catchy opening.
Last reply by RKP,
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