Art and Life in Novel Writing
Classic and valuable archive. Misc pearls of utility, agent irritation points, plus takeaways on craft. Also, evil authors abound!
108 topics in this forum
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Writing the Breakout Novel 1. It helped me step back and evaluate my novel more objectively. There are specifics that need to be there intentionally, not just accidentally, including a strong theme that is understated through the characters rather than preached through narration. 2. I learned that the romance subplot needs to be more developed. Presently, there is nothing at stake, and it is little more than an afterthought. My book also needs improvement in description on all levels, especially in describing setting without excessive use of adjectives and adverbs or using teacup handicaps. 3. The one complication between the book and the novel writing program is th…
Last reply by KeriLadner, -
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Gardner I first read Gardner many years ago, when I knew I wanted to be a writer but did not know what kind. Gardner was one of the books that convinced me to write non-fiction. So, here I am. It is still relevant, still intimidating, but either I am wiser and more worldly now than I was at 25, or more likely, I just have an itch that needs scratching. I find that keeping in mind his idea of fiction as a vivid continuous dream helps reveal unnecessary details or intrusions. His schematic approach to plot and other aspects of construction are also useful rubrics, though I admit I found them laughable at first. His advice to always keep in mind the impact of the story on…
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Books on Technique Utilized in The Novel Writing Program The Art of Fiction by John Gardner 1. How did the book help you as a writer? What overall aspects of it taught you something? Don’t write what you know, rather write the kind of story you know and like best. Of course this reinforces the notion that the writer MUST know the genre s/he chooses to write. 2. What two or three major lessons did you learn from the book that you can apply to your writing and/or your novel? The first is about authenticating detail. Even in fantasy what the character says or does must fit their nature. The nagging wife turned sweet and gentle is a good example. Did she he…
Last reply by RitaMoore, -
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John Gardner - The Art of Fiction I read parts of this book in a fiction workshop in college, so it was somewhat familiar. It was good to be reminded of the importance of maintaining the “fictional dream.â€� Gardner’s discussion of writing within the context of other art forms was inspiring, as is his emphasis on the importance of writing exercises. I also found his discussion of fiction as “concrete philosophyâ€� (Homer), or as a particular form of thought, really interesting; it made me think about theme and it’s relationship to events in a work of fiction differently. Gardener’s section on Plotting was enlightening. It taught me that plotting and …
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PROSE DRILLS If you are not Annie Proulx, you need to work on developing a powerful literary voice. All writer styles and voices are in large part a fusion of past immersions into good (or bad) literature. It‘s so true that you only write as well as you read. The writing of good authors soaks into you, becomes part of you, defines your ability to express. The point of the following prose drills is to speed up that process by a hundred fold. The selection of writers is diverse, beginning with a little Shakespeare and on up to modern lit. The names of the writers are not important, only their prose. Each of the following blocks of narrative is to be written i…
Last reply by Chief Editor M. Neff, -
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Your Brain on ChatGPT: Cognitive Debt When Using AI for Essay Writing Excerpts as follows: " A total of 54 participants took part in Sessions 1-3, with 18 completing session 4. We used electroencephalography (EEG) to assess cognitive load during essay writing, and analyzed essays using NLP, as well as scoring essays with the help from human teachers and an AI judge." "Cognitive activity scaled down in relation to external tool use. In session 4, LLM-to-Brain participants showed reduced alpha and beta connectivity, indicating under-engagement." "Self-reported ownership of essays was the lowest in the LLM group and the highest in the Brain…
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Seeing that they were being ignored, the man who made the comment once again spoke up, referring to the size of Brigitte’s breasts, and made a squeezing motion with his hands. Seeing this, the owner of the café rushed over and suggested that the three men leave the women to their coffee and pastries. The three men looked at each other, shrugged, and turned to leave. Lauren looked at Lily and Brigitte and said, “I know the little foul-mouthed one. He’s a bully, always picking on women and children.” As the men reached the door, Lily looked at her two friends and uttered, “Cochon,” meaning pig. The last man out the door…
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The Soap Maker - The main character's grandfather who is known for his fine French handmade soaps. He joins the Resistance at the beginning if WWII and communicates with other members of the Resistance by concealing messages in the bars of his soaps, which he has the main character deliver. Review-3_TheSoapMaker.pdf
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